I visited PS1’s The Gatherers, observing the persistence of found-object art and exploring how my own work approaches objects, the body, and daily life differently.

Dana Claxton’s work at MoMA offers a striking departure from painting—a ritual-based visual language rooted in cultural presence.

At MoMA, I reconnected with Richard Serra’s Equal, reflecting on how the work inspired my long-standing artistic focus on spatial tension and perception.

In 2014, I took a 2,300-mile road trip across the U.S. East Coast to reconnect with art in physical space. From Mass MoCA to Atlanta’s High Museum, I encountered works that challenged perception, embodied thought, and reminded me that true understanding comes from being present—with the art, in the moment.

On June 28, 2014, I joined fellow artists on a visit to Anyue, Sichuan—home to thousands of ancient stone carvings. Scattered across hills and villages, these weathered sculptures reflect local faith and humble craft. Quiet and unassuming, they offered a powerful encounter with time, presence, and the rhythms of everyday life.

In 2014, I taught senior students at Sichuan Fine Arts Institute through their graduation projects. Balancing aesthetics and inner conflict, they explored visibility, action, and honesty in creation. This reflection shares moments from the exhibition Looking Left, Looking Right—a search for clarity in the unseen and unsaid

Le Xi Studio launched an experimental art project in Chongqing’s Metro Line 6, transforming public space into an inclusive, concept-driven platform. Emphasizing participation and daily life, the project invited everyone to be an artist and redefined urban imagination through contemporary art.