Le Xi Visit to PS1’s The Gatherers: Reflections on Found-Object Art

Recently, I visited PS1’s The Gatherers exhibition. While the show explores themes of accumulation, waste, and the afterlives of everyday objects, it largely continues the “found-object recycling” path established since Duchamp. Although historically rich, the exhibition felt somewhat distant from contemporary life and offered limited experimentation with new media or conceptual breakthroughs.

PS1 The Gatherers installation featuring stacked found objects, reflecting on waste and accumulation. Photographed by artist Le Xi奚乐.

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PS1 The Gatherers installation featuring stacked found objects, reflecting on waste and accumulation. Photographed by Le Xi奚乐.

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PS1 The Gatherers installation featuring stacked found objects, reflecting on waste and accumulation. Photographed by Le Xi奚乐.

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To illustrate a different approach, I reflected on my own projects that also deal with objects and daily experiences. In “The Union of Self and Objects”, I collected items I’ve carried over the past 20 years and used stop-motion animation on my smartphone to rearrange and animate them. This practice explores the interaction between my body, personal belongings, and the digital age, revealing the subtle ways objects carry the traces of lived experience.

Le Xi, The Union of Self and Objects, video, 01:11(Loop), dimensions variable, 2023

Le Xi, The Union of Self and Objects, video, 01:11(Loop), dimensions variable, 2023

Similarly, “In Sync” engages with saplings, synchronizing my movements with theirs to sense their fleeting fragility and the delicate balance they maintain with the environment. By focusing on bodily perception and ephemeral natural motion, this work demonstrates another way objects and life can be experienced and connected.

In Sync, video, 01:03(Loop), dimensions variable, 2023

Le Xi, In Sync, video, 01:03(Loop), dimensions variable, 2023

These projects highlight that found objects, bodies, and daily life can be dynamically perceived and redefined, providing a perspective that complements, rather than replicates, the historical practices represented in The Gatherers. What other ways can we reimagine our connection with objects in everyday life?

le xi

Le Xi uses non-traditional materials working in two and three dimensions and animation film. His work suggests the struggle between the limitations of life and it limitless perception, dealing with such questions as what is the gap between the reality and the imagination. Born during China's Cultural Revolution and grew up in the period of contemporary Chinese history and globalization. As part of the contemporary Chinese art scene, He has appeared in group exhibitions in China. Since 2002 he lives in New York. He received his MFA in fine art from The School of Visual Arts in New York City. Since 2009 He has appeared in a group exhibition, “Mary’s Choice” curated by Mary Heilmann, 303 Gallery, New York. “Drawing itself: A Survey of Contemporary Practice”, Brattleboro Museum and Art Center, Vernon New England. The fifty-fifth Venice Biennale Exhibition of art exhibition Chinese parallel, independent voice.

https://lexiart.org
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Le Xi: More Than a Picture