Black Car on White Background

In Black Car on White Background, an eight-hour snowfall gradually engulfs a parked vehicle; upon its departure, a dark silhouette is left traced in the snow. Moving beyond simple documentation, the work employs digital translation to convert this ephemeral physical imprint into a scalable vector field.

Oscillating between observation and abstraction, the piece holds in tension the organic temporality of snow, the precision of digital mediation, and the persistence of memory. By imbuing a transient natural phenomenon with a new visual existence, the work reveals how ephemeral natural events gain a renewed form through artificial encoding, leveraging the borderless nature of vector translation to allow an ephemeral physical imprint to be infinitely scaled and perpetuated within the digital sphere.